The book industry is adapting

 

A new report in The Atlantic by Peter Osnos entitled Ignore the Doomsayers: The Book Industry Is Actually Adapting Well says that,  “Numbers show that the publishing industry is handling the rise of e-readers better than what folk knowledge might suggest,” and that, “For all the complexities that publishing faces, the notion that books are somehow less of a factor in the cultural or information ecosystem of our time doesn't hold up to the evidence.”

According to Publishers Weekly in a story titled A Solid Six Months for Trade Sales, “Sales of adult and children’s trade titles rose 13.8% (in the US) in the first six months of 2012, according to statistics released last week by the Association of American Publishers as part of its StatShot program. Total industry sales rose 4.4%, to $5.79 billion, at the 1,186 publishers that report revenue to AAP.”

Back to the first story, there’s this interesting bit vis-a-vis Amazon, Apple, Google, and Microsoft, “Instead of the competition among traditional booksellers for the attention of readers that was for so long the way books were sold, publishers now must confront the immense power and reach of tech giants and adapt to their influence. These companies are so much larger than even the biggest of publishers that accommodating their demands on price and promotion is a formidable task and is the reason why it looks (and often feels) that publishers are on the defensive.”

Could this be one of the reasons for the Penguin-Random House merger? (See story above.)

Faulkner’s estate sues Sony pictures

(From WHEC.com) The case: that Sony infringed copyright when actor Owen Wilson used (misquoted) a line from Faulkner’s Requiem for a Nun in the movie, Midnight in Paris. Wilson’s character, Pender, says, "The past is not dead! Actually, it's not even past. You know who said that? Faulkner. And he was right. And I met him, too. I ran into him at a dinner party."

Faulkner’s original: "The past is never dead. It's not even past."

Faulkner died in 1962, and we are talking of eight (8) words! This is crazy.

The copyright regime is quite complicated, with each country having its own version of the Berne Convention (either voluntarily or as a result of arm twisting by the ‘big’ boys). In Malaysia, copyright lasts for fifty years after the death of the author; in the US, Europe and some other countries, this has been extended to 70 years. (In Europe there is a proposal on the table to extend copyright of sound recordings to 95 years after the death of the ‘author’). Then, there is the ‘fair use” clause, which is what Sony will surely argue.

Copyright laws are primarily about protecting the rights of economic exploitation of an author’s work. It sounds fair in most cases when the author is still alive, but becomes absurd when applied to cover all works for 50-70 years after his/her death. In Malaysia, alone, there are hundreds of important and wonderful books that are no longer in print and cannot be reprinted due to copyright laws, even if the author is dead, the original publishers no longer exist, or even if they are no longer interested in republishing it. But, will not let others to do it, either. (The laws are, also, deliberately vague in this respect.) This dog-in-the-manger attitude has killed, and is killing, an entire history and culture. Think of its impact worldwide.

Then, in the case of ‘big’ authors there are entire estates and bands of lawyers that live off the works parasitically for 70 years after his death. Am I the only one who finds this ridiculous and obscene? The author belongs to the people. To them, the author is not dead; he continues to live. Imagine a world where the works of Shakespeare, Kalidasa and Confucius continue to be exploited by their estate and no quote or idea can be used without permission. We will surely end up going back to cave-dwelling.

(There is an amazing story I'd like to share. There was a extremely eminent composer in South Indian Carnatic music called Tyagaraja, whose works are still played hundreds (maybe thousands) of times daily. Interestingly, there is also songs attributed to him but he did not write. Apparently, in those days, one of the better ways of getting one's songs performed was to pretend they were his, and many of the apocryphal ones still survive today! Looks like civilisation has had other alternatives to the present copyright regime. Perhaps it is time to re-look at some of them. After all, culture is more important than ownership, exploitation and greed.)

Faulkner’s Requiem for a Nun was published in 1950 and the words “The past is never dead" entered the English language vocabulary years ago, and is used freely and frequently, and in many forms. It, like many other terms, has become an inseparable part of a culture. That is the nature of good literature; it grows culture; it grows language; it’s never forgotten or ignored. Roland Barthe said in his 1967 essay, The Death of the Author, that a literary work is separated from its creator the moment it leaves his desk.

Ibn Khaldun International Conference of 2012

(Sorry for this late blog, but you still have two days left to register for this conference.)

INTERNATIONAL CONFERENCE IBN KHALDUN: THEORETICAL AND EMPIRICAL RELEVANCE ON THE 17&18TH OF OCTOBER 2012. REGISTER TO JOIN OUR SCHOLARLY EVENT, PLACES ARE LIMITED, FINAL DAY FOR REGISTRATION: OCTOBER 3RD 2012.

It is our utmost pleasure to extend our invitation to all researchers, and in particular postgraduate students, who have an interest in attending the Ibn Khaldun International Conference of 2012 being held at University Malaya. This is a highly specialized conference where few scholars will present papers; others will deliver workshops revolving around research on Ibn Khaldun. If you are interested in attending the conference to learn from prominent speakers and further receive a certificate of participation, kindly register at the Department of Islamic History and Civilization prior to the 3rd of October in order that we may reserve your place; as seats are very limited.

Contact our registration committee: Tel. No: 603 7967 6008(Main Office)

The fee structure is as follows: 50 RM for University Malaya Students; 100 RM for other participants and students from outside University Malaya

Certificates will be mailed to the participants a few days following the conference. Participants will be required to sign attendance for the two days of the conference to be eligible for a certificate.
Food and refreshments will be provided throughout the two days of the conference.

This conference is jointly organised by

    The Department of Islamic History and Civilization, University of Malaya;
    The International Institute of Advanced Islamic Studies (IAIS);
    The Department of Malay Studies, National University of Singapore; and
    The International Ibn Khaldun Society.

We look forward to seeing you there.

UM English department one-day colloquim

The Department of English, Faculty of Arts and Social Sciences, will be hosting a one-day colloquium. Details are as follows:

URBAN SPACES IN THE TWENTY FIRST CENTURY

A colloquium organized by the Department of English, Faculty of Arts and Social Sciences, University of Malaya, Kuala Lumpur

This one-day colloquium aims to stimulate interdisciplinary debate and discussion on cities and their increasing rise, evolution and influence in today’s world. The Financial Times of New York estimates that by 2030, city dwellers on the planet will number more than five billion, and that this urban explosion will create tremendous challenges on all fronts: social, environmental, cultural, political and economic. Apart from the material pressures that this demographic trend exerts on matters such as infrastructure, healthcare, employment, food, water, energy and the land as a whole, the demand for human development and community building in fields such as the arts, culture and education is also paramount. Abstracts of around two hundred words for a twenty-minute presentation are invited on any of the following:

Cities, concrete and imaginary
Cities as geological spaces/cities as built and natural environments
The city state and its citizens
Sex(ualities) and the city
Religion and the city
Theorizing the city/ the place of cities
Postmodern cities
Virtual cities
The ecosystem of cities
The city and cultural production
The city and popular culture
Postcolonial cities
Social and environmental justice issues (urban poor, toxic cities, etc.) in the city
Re-conceptualising urban spaces
Urban ecocriticism (the wilderness and the urban, the city and the bioregion, urban animals, etc.)
Urban fiction, poetry, drama, memoir, essays, nature writing, film, journalism, etc.
Migration into and out of cities
Ethical cities
Cities past, present and future
The language of and about the city
Cosmopolitanism and the city
Multicultural and global cities

Date      :            December 4, 2012
Time     :             8.30 a.m.-5 p.m.
Venue  :              Rumah Universiti, University of Malaya
Fee        :            RM 50 (academic staff and non-academic visitors) RM 25 (postgraduate students)
Lunch and tea will be provided.

Please email your abstract to saosman@um.edu.my or agnesyw@um.edu.my by Wednesday, October 31, 2012.

New Silverfish Facebook page

NEWS: Silverfish Books -- new facebook page

Silverfish Books has a new Facebook page dedicated to news about books, writing and publishing. Friends of Silverfish Books (including suppliers) may post items about their own book projects or news about their industry. The posts, however, will be moderated for, while we encourage you to share everything pertaining to books, we will not be so interested in what anyone had for breakfast, or how a date went, or other such things. Hope you'd understand. The other thing is that we will be biased towards books from Malaysia and Singapore, whether they are self-published, small runs, POD, or e-book; that is we'd love to hear from you about books from or about these two countries, preferably by writers from these two countries, but we are more flexible about that. We prefer book events too (reading, book launches and any other such event) from these two countries, but for news, it could be anything interesting (pertaining to this subject) from around the world.

The Ikan Perak page will continue as it is for the time being, for stories of the more personal nature. I set up Ikan Perak in 2009, and though I am hardly a ludite (I can write code in PHP and know enough to design, launch and maintain the Silverfish website, online store and marketplace), I froze when confronted with the Facebook page, or maybe I was simply too darn lazy to work on it, or even invite friends. Fortunately, Jamilah has no such problems, and has designed the entire new page for us. In fact, she has agreed to continue managing the Silverfish Books Facebook page when she returns to college.